Search results

The purpose of this paper is to develop a search engine dedicated to image retrieval in a bilingual (French and English) context. This paper presents the first phase of user testing that was carried out to validate and refine SINCERITY, the new search device.

This first phase of the search engine testing involved a small group of image searchers (10 French-speaking and 10 English-speaking participants) who were asked to retrieve a sample of images (30) using the new tool. A questionnaire was also developed to compile the comments of the users.

The results of this first phase of testing revealed that even though image indexing was sometimes problematic, the participants did not encounter major difficulties retrieving images with SINCERITY. Comments and suggestions received will be taken into consideration to improve the performance and aesthetics of the search engine.

Once fully operational, SINCERITY will allow users to search images in an attractive and user-friendly manner. Eventually, other types of images (documentary and artistic) will be added to the image database linked to the image search engine, as well as other languages.

This paper aims to present the third stage of a research project that aims to develop a bilingual interface for the retrieval of digital images. The requirements and implementation of the search engine are described. Image search engines attempt to give access to a range of online images available on the web.

The strategy of using open-source software components as much as possible was chosen for the advantages of this approach: low initial cost and accessibility to evaluate and develop enhancements independently and driven by research objectives rather than financial viability.

Open-source software components can be used to develop the interface. The implementation of the image search engine and its indexes uses: Apache Solr, AJAX-Solr, jsTree and jQuery. Microsoft Translator web service was integrated into the interface to provide the optional user query translation.

The search interface is intended to be an innovative tool for image searchers who are looking for digital images. The search interface gives the image searchers the opportunity to easily access a variety of visual resources and facilitates searching for images in two different languages (English and French).

The purpose of this paper is to present the results of the first phase of a research project that aims to develop a bilingual interface for the retrieval of digital images. The main objective of this extensive exploration was to identify the characteristics and functionalities of existing search interfaces and similar tools available for image retrieval.

An examination of 159 resources that offer image retrieval was carried out. First, general search functionalities offered by content-based image retrieval systems and text-based systems are described. Second, image retrieval in a multilingual context is explored. Finally, the search functionalities provided by four types of organisations (libraries, museums, image search engines and stock photography databases) are investigated.

The analysis of functionalities offered by online image resources revealed a very high degree of consistency within the types of resources examined. The resources found to be the most navigable and interesting to use were those built with standardised vocabularies combined with a clear, compact and efficient user interface. The analysis also highlights that many search engines are equipped with multiple language support features. A translation device, however, is implemented in only a few search engines.

The examination of best practices for image retrieval and the analysis of the real users' expectations, which will be obtained in the next phase of the research project, constitute the foundation upon which the search interface model that the authors propose to develop is based. It also provides valuable suggestions and guidelines for search engine researchers, designers and developers.

This paper aims to present the results of the first phase of a research project aiming to develop a bilingual taxonomy for the description of digital images. The objectives of this extensive exploration were to acquire knowledge from the existing standards for image description and to assess how they can be integrated in the development of the new taxonomy.

An evaluation of 150 resources for organizing and describing images was carried out. In the first phase, the authors examined the use of controlled vocabularies and prescribed metadata in 70 image collections held by four types of organizations (libraries, museums, image search engines and commercial web sites). The second phase focused on user‐generated tagging in 80 image‐sharing resources, including both free and fee‐based services.

The first part of the evaluation showed that each resource presented comparable information for the images or items being described. Best practices and implementation proved to be largely consistent within each of the four categories of organizations. The second part revealed two trends: in image‐upload systems, there was a virtual absence of mandated structure beyond user name and tags; and in stock photography resources, the authors encountered a hybrid of taxonomies working in combination with user tags.

The analysis of best practices for the organization of digital images used by indexing specialists and non‐specialists alike has been a crucial step, since it provides the basic guidelines and standards for the categories and formats of terms, and relationships to be included in the new bilingual taxonomy, which will be developed in the next phase of the research project.

This paper aims to present the results of the second stage of a research project aiming to develop a bilingual interface for the retrieval of digital images. The main objective of this phase was to investigate the roles and usefulness of search characteristics and functionalities for image retrieval in a bilingual context.

A bilingual (English and French) questionnaire containing closed and open questions was developed and administered to two groups of participants: 20 English-speaking and 20 French-speaking respondents. The quantitative data was analysed according to statistical methods while the content of the open-ended questions was analysed and coded to identify emergent themes.

This study shows that the image search process still presents difficulties and frustration from the image searchers' point-of-view. The findings established that keyword search remains the main method compared with the use of predefined categories or searching with a similar image or a drawing. They emphasised the importance of several functionalities as an integral part of the image search process and revealed the importance of being able to search for images with words extracted from more than one language.

The main contribution of this exploratory study is to provide an understanding of how real users search for images. Combined with the exploration of best practices for image retrieval, the analysis of real image searchers' behaviours provides the foundation for the initial organisation of the search interface model we will develop in the ultimate stage of the research project.

This paper aims to present the results of the second phase of a research project aiming to develop a bilingual taxonomy for the description of digital images. The objective of this second stage entailed the formal structuring of the taxonomy. It involved the choices of top‐level categories and their subcategories.

The taxonomy development process consists of several steps that are iterative in nature, and, as such, an incremental user testing needed to be carried out in order to validate and refine the taxonomy components. For the first validation phase, the card sorting technique was used. To increase the value of the testing, two different sorting exercises were performed by ten respondents, who completed feedback forms to provide comments and suggestions.

The analysis of the data provided by the card sorting exercises and the feedback forms highlighted the difficulties participants encountered using the taxonomic structure. This step was especially useful in understanding why the cards of a group were classified together. A summary of the decisions that were made following the first part of the validation process, as well as suggestions to improve the final version of the taxonomy, are also included.

The participation of the end‐users is of crucial importance in the taxonomy development. The card sorting method is generally used in domains such as psychology, cognitive science and web usability. For this project, it proved to be an invaluable source to identify difficulties encountered using the taxonomy structure and dynamically suggested ways to improve it.

This research project aims to provide a new visual representation of the Artefacts Canada digital collection, as well as a means for users to browse this content. Artefacts Canada Humanities is a database containing approximately 3.5 million records describing the different collections of Canadian museums.

A four‐step methodology was adopted for the development of the faceted taxonomy model. First, a best practice review consisting of an extensive analysis of existing terminology standards in museum communities and public web interfaces of large cultural organizations was performed. The second step of the methodology entailed a domain analysis; this involved extracting and comparing relevant concepts from terminological authoritative sources. The third step proceeded to term clustering and entity listing,which involved the breaking‐up of the taxonomy domains into potential facets. An incremental user testing was also realized in order to validate and refine the taxonomy components (facets, values, and relationships).

The project resulted in a bilingual and expandable vocabulary structure that will further be used to describe the Artefacts Canada database records. The new taxonomy simplifies the representation of complex content by grouping objects into similar facets to classify all records of the Artefacts Canada database. The user‐friendly bilingual taxonomy provides worldwide visitors with the means to better access Canadian virtual museum collections.

Few methodological tools are available for museums which wish to adopt a faceted approach in the development of their web sites. For practitioners, the methodology developed within this project is a direct contribution to support web site development of large cultural organizations.

This paper seeks to examine image retrieval within two different contexts: a monolingual context where the language of the query is the same as the indexing language and a multilingual context where the language of the query is different from the indexing language. The study also aims to compare two different approaches for the indexing of ordinary images representing common objects: traditional image indexing with the use of a controlled vocabulary and free image indexing using uncontrolled vocabulary.

This research uses three data collection methods. An analysis of the indexing terms was employed in order to examine the multiplicity of term types assigned to images. A simulation of the retrieval process involving a set of 30 images was performed with 60 participants. The quantification of the retrieval performance of each indexing approach was based on the usability measures, that is, effectiveness, efficiency and satisfaction of the user. Finally, a questionnaire was used to gather information on searcher satisfaction during and after the retrieval process.

The results of this research are twofold. The analysis of indexing terms associated with all the 3,950 images provides a comprehensive description of the characteristics of the four non‐combined indexing forms used for the study. Also, the retrieval simulation results offers information about the relative performance of the six indexing forms (combined and non‐combined) in terms of their effectiveness, efficiency (temporal and human) and the image searcher's satisfaction.

The findings of the study suggest that, in the near future, the information systems could benefit from allowing an increased coexistence of controlled vocabularies and uncontrolled vocabularies, resulting from collaborative image tagging, for example, and giving the users the possibility to dynamically participate in the image‐indexing process, in a more user‐centred way.

This paper aims to discuss how collaborative classification works in online music information retrieval systems and its impacts on the construction, fixation and orientation of the social uses of popular music on the internet.

Using a comparative method, the paper examines the logic behind music classification in Recommender Systems by studying the case of Last.fm, one of the most popular web sites of this type on the web. Data collected about users' ritual classifications are compared with the classification used by the music industry, represented by the AllMusic web site.

The paper identifies the differences between the criteria used for the collaborative classification of popular music, which is defined by users, and the traditional standards of commercial classification, used by the cultural industries, and discusses why commercial and non‐commercial classification methods vary.

Collaborative ritual classification reveals a shift in the demand for cultural information that may affect the way in which this demand is organized, as well as the classification criteria for works on the digital music market.

Collective creation of a music classification in recommender systems represents a new model of cultural mediation that might change the way of building new uses, tastes and patterns of musical consumption in online environments.

The paper highlights the way in which the classification process might influence the behavior of the users of music information retrieval systems, and vice versa.

This paper explores four works of contemporary fiction to illuminate formal and informal regulation of sex. The paper’s co-authors frame analysis with the story of their creation of a transdisciplinary course, entitled “Regulating Sex: Historical and Cultural Encounters,” in which students mined literature for social critique, became immersed in the study of law and its limits, and developed increased sensitivity to power, its uses, and abuses. The paper demonstrates the value theoretically and pedagogically of third-wave feminisms, wild zones, and contact zones as analytic constructs and contends that including sex and sexualities in conversations transforms personal experience, education, society, and culture, including law.